The Qualities of the Real Personal Statement Example | Topics and Well Written Essays - 250 words

The Qualities of the Real - Personal Statement Example My conception of the Divine is based on the very real existence of my intellect, which has no physical form. I hold that nothing real can come out of nothingness. The reality of biological life is proof of the reality of a Creator, who was the first cause of life. He is infinite and is the cause of all finite things. He is independent and does not depend on anything for his existence. Â  It cannot be denied that good is real. There are degrees of goodness. These degrees of goodness are possible only with reference to something which is absolutely good. My conception of the Divine is that absolute good. My God is the embodiment of the highest degree of Perfection. He is removed from the senses and the body and belongs only to the mind. He is the foundation of moral values. My God is real. The existence of the unicorn and the leprechaun do not meet my criteria of real, as I can neither see them with my senses nor with my intellect. They are merely part of my imagination. They have not originated independently: they originate in my imagination. These imaginary creatures are not infinite, or perfect. They are not real. Â  

Statistical coursework Example | Topics and Well Written Essays - 1500 words

Statistical - Coursework Example Individual market return is said to have a relationship with the market return. The independent variable, market return, is referring to the amount of company around the business environment are receiving in their day to day activities. In this case, the relationship between the individual market return they receive and the market return the business generate in the area is said to have a positive relationship. The independent variable, market return, refers to the other businesses that are involved in the same product or closely related products that are substitute of the products. The data contain two variables; market return, and individual market return. The data is obtained after randomly sampling 160 companies and obtaining their financial data. That is, the market return, and the individual stock return  Represent the multiple regression models, and are model parameters referred to as regression coefficient. Such model describes the hyper plane in the k-dimensional space of the regression variable. The parameters  represent the expected change in the response variable y per a change in, while all the repressor remains constants. For the regression analysis to be used, several assumptions are made. The assumption that the errors are normally distributed can be justified by making a normal probability plot or by constructing a histogram of the residuals. In this study, we will check if the errors of the dependent variables and independent variables are normally distributed by making the checks. From the above histogram, the variables; market return and individual market return are normally distributed. The variable market return has outliers and are removed to ensure that the do not influence the inference and conclusion. The normal probability plot From above analysis of normal probability, the variables, revenue, people, income. Competitors and price are normally

The White Cube Is Designed To Neutralize Philosophy Essay

The White Cube Is Designed To Neutralize Philosophy Essay Heres the question: In your own words, how would you describe the connections between the idea of white(ness) and the themes in Buckinghams work? *If you want to include references to our reading and conversation on Kirk Varnedoes lecture last week-where we covered topics ranging from how history is recorded, how knowledge is formed, and how we come to believe in or trust the art we live with-please do. One paragraph. Buckingham forces the viewer to investigate further into his work; he wants us to actually become involved by making us think and see beyond want being presented to us rather than to simply look at an image. As with other work we have discussed in class, Buckingham uses color (colorfulness and white/black) to compare and contrast the past with the present in the film production of Mary Wollstonecraft. It is his way of cluing us on that there are two different worlds, just as he did to present the ghost of Mary Wollstonecraft. He also uses the glow of whiteness to lightened Wollstonecraft to convince us whether or not she is in the past or present. He is able to use white(ness) to guide us through his time-based production. As I read through Chapter 3 regarding minimalism, I was having a constant pull and push of Minimalism versus modernism. How is that one genre of artist can take a square and assign a meaning to it, then later another genre takes the same square and assigns a different meaning to it, then claim to owe nothing to its predecessors? To me, this calls on the same conversations we have had several times in previous classes. Is it really a new art because you are able to have support of art critics and come up with your own vocabulary to bring a different meaning to a work of art? Donald Judd claims to reject rationality as part of the European philosophical tradition. This is how he explains the difference between his work and traditional abstraction. But Frank Stella says to balance piece? Is that not rational? The correlations between the two types of art beg the question; isnt minimalism very much rooted in abstract modernism? It seems to me that Minimalist were just a self-proclaimed development of modernism. Judd and other Minimalists artist claim they wanted to get rid of the hands-on ethic of abstract; they wanted to get rid of the idea that the character of the art resides in the touch of the artist compared to abstract expressionist Jackson Pollock who stomped on a canvas and rubbed cigarettes in to it who affirmed that the painting was an object in the world, not a window onto anything else. This is when I began to better understand the difference in the two genres. The Minimalist opposed the cult of the gallery and attempted to remove the appearance of composition from their work. To that end, they tried to expunge all signs of the artists guiding hand or thought processes all aesthetic decisions from the fabrication of the object. For Donald Judd, this was part of Minimalisms attack on the tradition of relational composition in European art rather than the parts of an artwork being carefully, hierarchically ordered and balanced, he said they should be just one thing after another. Comparing Marcel Duchamps ready-mades provided important inspiration for the Minimalists. His example suggested an approach to sculpture that emphasized fabrication and industrial materials over the craft techniques of most modern sculpture. Much of Minimalist aesthetics was shaped by a reaction against Abstract Expressionism. Minimalists wanted to remove suggestions of self-expressionism from the artwork, as well as any illusions. The Minimalists also sought to erase distinctions between paintings and sculptures, and to make instead, as Donald Judd said: specific objects. The Minimalist opposed the cult of the gallery and Summary of Inside the White Cube The gallery space is the first interaction between the spectator and the artist. Clean white walls were ideal for presenting a painting. Because of its simplicity, a white wall is seen as neutral and supposedly indispensable for placing each painting. However, what a white wall does to a Baroque or easel painting, is it actually transforms it into a modernistic one, just as framing a Baroque or modernist painting and placing it in Le Salon converts it into a tableau. The white cube is designed to neutralize Another value of the white cube was a social one. Readymade as invented by Duchamp totally depend on the special social status of a gallery space. Reliance on the social power of a gallery space can lead to anything goes. Yet if a gallery space is considered a sacred place intended only for art, than anything that is placed there cannot be anything but art. When you put something into a gallery, it transforms the thing into a picture of itself. The intention of To fully understand the nature of how the viewer interacts with a piece of art it is essential to understand the dynamics of how the work is presented to the viewer. He talks about the eye and how the white cube gallery determines how the eye behaves. The eye urges the body around to provide it with information; the body becomes a data gatherer. The eye was capable of experiencing art in a disinterested and detached way. The spectator, on the other hand is unable to distinguish the difference between real space and art space in the white cube gallery because they have become blurred into one another and the walls of the gallery itself. Such a spectator is prone, he believes, to sensation and impression and as such experiences not only art but their own sense of self as something fractured. The eye appears as the disembodiment faculty that relates exclusively to formal visual means, while the spectator constitutes the attenuated and bleached-out life of the self from which the eye goes forth and which, in the meantime, does nothing else. The bodies of the visitors become unnecessary. You can only gaze at the framed spaces in the gallery space. Consequently, it is only the eye that interacts directly with the artwork. One has to teach the eye how to palpate those spaces. Frames also facilitate this separation into two realities the distant relation of a fixed viewer to a framed view. The framed easel on the wall assists the spectator to align herself in space; it indicates the place where one should stand, look at, or refrain from touching. One is not allowed to touch the sacred objects, the artworks. Touch is directed and mediated only through the eye. ODohertys main concern is the relationship between the white cube is where the object sits, the surrounding space and the effect or the influence that the combination of these elements impose onto the viewer. By bringing attention to the arrangement in which works are exhibited and the influence on the spectator, context becomes content. Another factor that ODoherty suggests bought about a new way of looking art is  Courbets one-man Salon des Refusees outside the Exposition of 1855. ODoherty states that this was the first time an artist had to  construct the context of his work. It is to say the artist had to set about displaying his work in such a way that the placing and hang of the pictures influenced the meaning of what the artist was attempting to say with his art. This was highly significant as it highlighted the importance of how a work is displayed affects the way in which its viewed. For example displaying the Mona Lisa on the floor would give the painting a different meaning than placing it, in its own special room. ODoherty defines the artistic gesture as a singular artistic action, an individualist, daring act. The successful gesture created a narrative became a story by changing history. He believes that these gestures always had two audiences, one present and another one not present, which, as he writes, is usually us. We, as this second audience, are looking back at the eventof a performance as a historical fact, an occurrence. ODoherty furthermore says that the original audience is usually not appreciative, often nervous, not at all pleased. It is only in retrospect that we learn to appreciate the gesture. All these gestures are transformations of the given situation in one way or another. What makes them potent, I believe, is that they are stop signs; or rather they are the stops themselves in the train of events, interruptions in the business as usual. The gallery gestures start with Duchamps, continue on with Yves Klein, Armand, Daniel Spoerri, Andy Warhol and Kaprow and many others. Many of these gestures can be described as parody, mocking the art business, but many of them really challenged the spectator, the gallery space and what is meant by art and showing art. There are several categories of gestures; those that question the gallery space altogether are of course in the minority. ODoherty points out that at least the American avant-garde never really questioned the gallery space as an idea, except for one brief moment when artists did their performances and events in the landscape and only brought photos back to the gallery. Summary of Pictures of Nothing- Chapter 4 Late 1960s is when the urge to escape catergories by artist becomes all the more difficult itself because but minimalism itself had become a category. This installation of minimalist traditions happened very fast. Anti institution makes want to go away from any type of object. Artist wanted to get away from any types of collectible object. Which makes sculpture dominant. It turned out to be the only non of the above catergory. Painting was only paintying, sculpture could include video installation, earth works, performance, etc.. it was constantly transforming itself and was flexible in the way painting could not be. The idea of a generation of artist who absorb the formal term of minimalism but challenge the basic princibles. Tweaking image reconigtion became important. Shiparo installed from the 70;s compared to morris is obvious mostly by scale. The gallery space isnt about blank kinestectic anymore it becomes a place for imagination and stimulation of metaphorization Imageless abstraction became much more representational. Basic propertyies extracted from pollaock drip paintings. Judd argued the paintings had a greater sense of simplicity or wholeness Directness of which becomes a part of the are, simplicity wholeness order process materials become the watch workds for the new generation of artists Present and future was linked to the deep past. Heiser stated we were living at the end of time. Complex 1 had been made in the dessert and the angle was designed to deflect necluear bomb. He wanted to collapse the idea of time Minimalist idea of reducing internal relationship the work became redirected of the relationship of the person to the object. The sense of space became extrapolated beyond the gallery. Heiser was key in moving out into much broader canvses. Like making huge circles in the deserts. Double negative made a huge mark a vast space. All about bedded layers of structure, represents stratified time. Vs. the overview which shows it as a unified with a unified simplicity man made absolute against the geolocial forces of the canyon. Had different experience through close up and far away views. Clarity of the overview vs the caois of the close up view Staged collision between order and disorder. The idea of order. Cannot simply be. Evident declaration of process. The new left compared to old left. Blue collar ethic. Materials (1:03) Smithson piles dirt on shed until it collaps. Concerns with weight. Not just meaning attaches itself but simple certainties become charges with ambiguities. Abstraction cant stay pure and out of catergories but it can revitalis new ideas of ourselves and our time.. Summary Chapter 5 Although abstraction tries to be pictures of nothing, it constantly could be a picture of something. Rauschenbergs Factum 1 and Factum II were important to the uniqueness of the moment in abstract expressionist painting. Lichtenstein continued more aggressively in works such as Big Painting No. 6. Abstract expressionism becomes reduced by Lichtenstein. His satires and comments run throughout his career, with two different meanings. One, he is engaged by the notion that you cannot get away from the history of style. Second is that all representation is at base abstract. He is engaged in both sides and does not want to let go of either representation or abstraction. Olderburg wants to bring modernism out of its closet and into the public. He believed it was ill served to by idealism. Both Olderburg and Lichenstein hold the irony that bad faith is a necessary ingredient for a good society. Pop art jokes are less serious and more serious than they seem: admiration of abstraction and at the same time deeply suspicious of it. Andy Warhol has found the nerve of the good/bad faith problem. He uses and understands to some extent the language of abstraction. His most direct insult to abstract painting is represented by his Oxidation Painting of 1978 which he pisses on Pollock. With canvases on the floor he urinates on them in an exaggerated replay of Pollocks drip paintings. Where Lichtenstein tends to be interested in economy and reduction, Warhol is an artist of spit, splash, blot, excess. He is very interested in the graininess of photography. Halley isnt interested in the ambiguity of abstraction. He believes that all abstraction is coded representation of power. Taafe is also is against abstraction but in a different way. He puts to work the idea of revisiting high decoration with intent to make it low decoration. Richter has gambits between abstractions and representation. He literally waters down Stella; Both Warhol and Richter, it is blur and smear that obscures rather than makes things clear. Comparing to Johns, the whole idea that destroying order is the same thing as producing it. Twombly expands the repetitive gesture to the scale that Pollock had with his blackboard work. Everything that Twombly achieves, he achieves by the negation, by distancing of himself from Pollock, by the exact inversions of what Pollock is. Johns too take a swipe at Pollock. He made his living debunking abstraction. Just as Twomblys repetition speaks of expressionism, so is Johns gesturalism. He has to establish a system in order to cancel or bury it. The order itself is hardly as important as the demonstration of its vulnerability or fragility. He obsessively worked the surface with personal marks. These aforementioned artists are speaking about art through art by their knowing relationship to that tradition. It is a relationship of negation. It is a relationship to tradition that involves the acceptance of traditions constraints at the same time that is subverts and reacts against them. With these artists you have an abstraction saturated with skepticism, saturated with knowing, an abstraction that proves that abstraction can be knowing and still have meaning. Chapter 6 De Kooning abstraction gives rise to a new kind of life in his works by compacting them. His work misrepresented the dichotomy between abstraction and representation. Within his work such as the Women and early figurations, he shows the border between abstraction and representation wasnt something untouchable but rather something transgressive. Agnes Martin is the opposite of de Kooning. His works are at the other end of abstraction. His work is about delicacy of touch and tint. Martins art is all about the experience on the part of both the artist and the observer. In contrast, Robert Ryman is all painting; he is an abstractionist who is interested in imagery and in the nature of painting. His art is about constant restlessness and is never about perfection. Unlike Clement Greenberg, who believed there was an essence of painting. Ryman is sure that there is no essence at the bottom that painting constantly needs to be changed. Brice Mardens work is a good demonstration of pulling together the contemporary abstractions of Johns and Pollock. He tried to live with the legacies of Pollock as a great abstract artist and Johns as representative painter by mixing and blending what they both stand for. Gombrich believed that representation is a matter of solving dilemmas and is neatly summarized in his drawing. Gombrichs interest seems to be primarily in rendering. He believed strongly in the nature of visual representation and realism. Pollock finds one translation in Klein through the acts of performance yet a completely different translation in Richard Serra. Instead of painting on a canvas, he throws hot lead into a corner. What was refined in Kleins interpretation becomes industrial with Serra. Many artists unpack many meanings from Pollock, however, the intention of what brings an artist to the canvas does not control meaning nearly as much as does the material existence of the picture itself. The experimental dimensions of abstract art- its scale, materials, method of fabrication, social context, and tradition are crucially important to our understanding of it. Abstract art is a symbolic game and it is akin to all human games: you have to get into it, risk and all and this take certain act of faithà ¢Ã¢â€š ¬Ã‚ ¦ a faith in possibility, a faith in not knowing. Practically Nothing:   Light, Space, and the Pragmatics of Phenomenology In the exhibitions catalog Schuld writes, does not deal with light space as media as much as it deals with the participating subjects personal adjustmentà ¢Ã¢â€š ¬Ã‚ ¦ In this essay, Schuld grounds the work of Irwin, Turrell, Orr and Nordman in the phenomenological philosophy of Maurice Merleau-Ponty. This essay explores the Light and Space movements giving its roots in Minimalism. Merleau-Ponty sought to establish a primacy of perception with particular interest to Light and Space art. Irwin and Turrell experimented with psychologist Ed Wortz as a part of Maurice Tuchmans Art and Technology Program. In these experiments, scientists and engineers were paired with artists in tests that involved sensory deprivation, particularly within an anechoic chamber, a soundproof structure used for astronautic and psychological research.   Irwin, Turrell, Wheeler, Nordman and Orr all spent time in the chamber, occasionally enhancing it further by light proofing the space. The experience of dep rivation training attributed an increased sensory awareness.   Light and Space art does not deal with light and space as media as much as it deals with the participating subjects personal perceptual adjustment by extending ones own experience in the extremes of sensory deprivation experiments. Irwin, Turrell, Wheeler, Nordman, and Orr bring phenomenology into practice by creating situations that act as experiential snares, capturing attention through disorientation. Work and Word Adrian Kohn raises practical questions about writing about California Light and Space art, much of which frequently deals with language. He questions the inadequacy of verbal language to approach abstraction. According to Kohn, language falls short of communicating the obscure with much clarity. He calls attention to the vagueness of artists statements that make the emotional qualities of the artwork take precedence. This same problem plagues Light and Space art as well as other works that will also pose a challenge to photography. Words inevitably catch up to art and take hold. Belles thinking of his canvas support as a geometric illusionary volume and his notion that panes of glass can feel soft prompt you to stop and assess the validity of those formulations. While words may obscure arts strangeness at first, their failings, when noticed, restore it. http://www.theartstory.org/movement-minimalism.htm http://www.all-art.org/art_20th_century/modern_art/abstract%20art5.htm http://en.wikipedia.org/wiki/Brian_O%27Doherty http://www.guardian.co.uk/artanddesign/2008/sep/20/art1

Thomas Jefferson vs. Alexander Hamilton :: American History

Thomas Jefferson vs. Alexander Hamilton: Who was more important in American history?   Ã‚  Ã‚  Ã‚  Ã‚  Thomas Jefferson and Alexander Hamilton were two very important figures in American history but Jefferson was the more influential and profound one of the two rivals. Jefferson was the principal author of the most important document in US history, the Declaration of Independence. He doubled the size of the young nation with the purchase of Louisiana during his presidency. During his lifetime, Jefferson also made many achievements and contributions, based on his strong beliefs, towards the growth and protection of the United States. Of all his accomplishments, the Declaration of Independence was his most defining event for it asserted the USA's independence from Britain and defended revolting against the government.   Ã‚  Ã‚  Ã‚  Ã‚  Of all the Founding Fathers, Jefferson had the strongest belief in liberty of the people for he thought that all people were entitled to liberty and laws that do not protect it are illegitimate. He took his unique view on liberty and the rights of the people and converted much of it onto paper which was eventually made into the Declaration of Independence. Jefferson defended his role in the creation of the defining document of the United States very proudly but this would not be his last great achievement.   Ã‚  Ã‚  Ã‚  Ã‚  One of Thomas Jefferson's finest accomplishments while he was president was the Louisiana Purchase in 1803. This acquisition of land doubled the nation's size and helped fulfil the demands for western expansion, also making the US closer to completing their Manifest Destiny. Jefferson then financed the Lewis and Clark expedition which in turn gave Americans first knowledge of this vast land of rich resources. Jefferson's influence in shaping the country did not stop there for he made several other admirable deeds in his lifetime.   Ã‚  Ã‚  Ã‚  Ã‚  Jefferson left a permanent legacy in American history through all his books, inventions, philosophies, and political achievments. With his and James Madison's efforts, Virginia became the first state to completely separate church from state and drafted the Virginia statute for religious freedom. Jefferson's vision of a republican society was planted in Virginia through it's political, educational, and legal systems which would eventually be a model to America and Europe. Thomas Jefferson vs. Alexander Hamilton :: American History Thomas Jefferson vs. Alexander Hamilton: Who was more important in American history?   Ã‚  Ã‚  Ã‚  Ã‚  Thomas Jefferson and Alexander Hamilton were two very important figures in American history but Jefferson was the more influential and profound one of the two rivals. Jefferson was the principal author of the most important document in US history, the Declaration of Independence. He doubled the size of the young nation with the purchase of Louisiana during his presidency. During his lifetime, Jefferson also made many achievements and contributions, based on his strong beliefs, towards the growth and protection of the United States. Of all his accomplishments, the Declaration of Independence was his most defining event for it asserted the USA's independence from Britain and defended revolting against the government.   Ã‚  Ã‚  Ã‚  Ã‚  Of all the Founding Fathers, Jefferson had the strongest belief in liberty of the people for he thought that all people were entitled to liberty and laws that do not protect it are illegitimate. He took his unique view on liberty and the rights of the people and converted much of it onto paper which was eventually made into the Declaration of Independence. Jefferson defended his role in the creation of the defining document of the United States very proudly but this would not be his last great achievement.   Ã‚  Ã‚  Ã‚  Ã‚  One of Thomas Jefferson's finest accomplishments while he was president was the Louisiana Purchase in 1803. This acquisition of land doubled the nation's size and helped fulfil the demands for western expansion, also making the US closer to completing their Manifest Destiny. Jefferson then financed the Lewis and Clark expedition which in turn gave Americans first knowledge of this vast land of rich resources. Jefferson's influence in shaping the country did not stop there for he made several other admirable deeds in his lifetime.   Ã‚  Ã‚  Ã‚  Ã‚  Jefferson left a permanent legacy in American history through all his books, inventions, philosophies, and political achievments. With his and James Madison's efforts, Virginia became the first state to completely separate church from state and drafted the Virginia statute for religious freedom. Jefferson's vision of a republican society was planted in Virginia through it's political, educational, and legal systems which would eventually be a model to America and Europe.

Bandwagon and Snob Effect

Write an essay on topic â€Å"Bandwagon and Snob Effect†. Find an example for both effects, describe situation and explain reasons for such effects. In The Theory of Consumers’ Demand, there are three importants and different items: the Bandwagon , Snob and Veblen Effects. Today we will discuss just about the Bandwagon and Snob Effect. Faced with a new need, the consumer is confronted with a choice: to purchase or not this good or service, depending on its value, its usefulness, its attributes and operation consequences.But consumer choice will also be affected by his social environment. Specifically, scarce products are generally deemed valuable, independent of the utility that their attributes deliver. This effect has been found in several studies, and we can identify two distinct routes through which scarcity can increase product choice. A person’s demand may be affected by the number of other people who have purchased the good. If this is the case, a network externality exists and can be positive or negatives.A positive network externality exists if the quantity of a good demanded by a consumer increases in response to an increase in purchases by other consumers. And negative network are just the opposite. * The first way examines scarcity due to high demand. Consumers see that others have bought the product, and this may induce them to follow that behavior. Consumers may also extract information about the value of a product from the buying behavior of others. When consumers are unsure about the value of products, information on the valuation of others can help refine their own valuations.Therefore, scarcity due to excess demand increases inferences of product popularity and quality. This is the bandwagon effect, the desire to be in style, to have a good because almost everyone else has it, or to indulge in a fad. This is the major objective of marketing and advertising campaigns ( cf toys, clothes .. ) For example, the influence of foo tball players on the young men ( shoes, haircut, attitude ). * If the network externality is negative, a snob effects exists. The econd route concerns scarcity due to insufficient supply, where product exclusiveness leads to generalization of product quality. Consumers value the exclusivity of possessing rare products, and may see these products as a means to emphasize their uniqueness. Being one of the few who own a particular product may increase the product utility. It refers to the desire to own exclusive or unique goods. The quantity demanded of a â€Å"snob† good is higher the fewer the people who own it. For instance, the luxury goods as Rolex watches and long lines at the ski lift.To finish, we can say that the bandwagon and snob effects are two opposites cases , the first refer to the extent to which the demand for a commodity is increased due to the fact that others are also consuming the same commodity. In this case, we appear to be â€Å"one of the boys. † This is some form of integration and sociability And the second effect refer to the extent to which the demand for a consumers' good is decreased owing to the fact that others are also consuming the same commodity, so this represents the desire of people to be exclusive, but it can be dangerous to the person, since it is a kind of isolation.

Republic Day of India

26th of January 1950 was the day when India got its own constitution and became biggest democratic nation of the world. Since then this day has been celebrated as national festival and called as Republic day of India. In this essay we have provided, not only the glimpse of Republic day celebration but also interesting images for attraction of kids.Republic Day of IndiaIndia is the world's biggest democratic nation. Though India got freedom against British rule on 15th of August 1947, but till 1950 we do not have our own law and order to follow. The 26th of January 1950, was the dawn of world's biggest democracy, when we got our own constitution and India became a republic nation. From then on, this day has been declared as a national festival of India and we celebrate this day as Republic Day of India. The word republic means a country that is ruled by people, elected by the the people of that nation.Today we have completed 63 years with our own constitution and proud to be a part of the world's biggest democracy. This is our privilege that we are the citizens of a secular nation. Our constitution provides us freedom to travel anywhere in India, freedom to adopt any religion we like to follow, we can arrange public meeting; we can express and share our thoughts etc. Being a citizen of a democratic nation, we not only have many rights but also many responsibilities to carry out.Republic day celebrationOn 26th January of every year, we celebrate our Republic day. This is India's national festival and also declared as national holiday. On the eve of Republic day, cultural programmes are arranged in school, colleges and different public places. Political and social meeting also arranged for considering social and national issues. National flag is furled not only at government offices but also at public places. National anthem beats inspire the countrymen with feelings of patriotism.The main attraction of Republic day is the special Republic day parade taken out at Rajpath, in front of India gate in our capital Delhi. Early in the morning people from all over India, start to gather at Rajpath to watch this parade. People, who can't go there, watch it on television. Some foreign ministers are also invited as chief guests on this occasion. Indian Prime minister with other ministers and chiefs of armed forces also arrive at Rajpath. With the arrival of Indian President and foreign chief guest, the national flag furls sky high.The bravery awards are distributed to brave soldiers, martyrs, brave citizens and brave children. Brave children are brought by elephants on this occasion. After this Republic day parade starts with the flag march of all Indian forces. Indian president takes the salute of all Indian armed forces. Armed strength of the country has been shown in this parade. Tableau from many states of India and Union territories, are the center of attraction for everyone on this occasion. The Rashtrapati Bhawan and important government buildi ngs are decorated with light in the evening.How we should celebrate this festival?This is the festival of proud for our nation. Every countryman should participate in this occasion. We should also remember our freedom fighters on this day. This is an occasion of patriotism, unity; peace, love, proud, happiness and inspiration. We should make some principle on this occasion and try to be loyal to our duties and nation.Here are some promises; every countryman should do to himself and nation:†¢ We shall root out all evils from our society and nation. †¢ We shall respect our constitution †¢ We will always remember our freedom fighter and golden heritage of our country. †¢ We shall feel proud to be the part of India. †¢ We shall spread the spirit of united India. †¢ We shall root out corruption from our society. †¢ We shall make our people literate. †¢ We shall protect our national resources and save our environment. †¢ We shall follow princip les of our great ministers.